3 days, 300 quilts

Rosettes made by   Elizabeth Hartman

Rosettes made by Elizabeth Hartman

It's QuiltCon this week! Linzee McCray will be there representing UPPERCASE and will be sending in some blog posts from Austin. For event goodie bags, I've provided 1500 copies of both the current issue and favourite back issues. 

The 300+ quilts that I judged with Carolyn Friedlander and Stevii Graves will be on display. I learned a lot about quilt-making in the process of judging, from the practical to the subjective. I've not actually finished my own quilt yet; I was there as the "outsider" to judge from an design perspective, but when I do dive headlong into quilting (which is inevitable) I will have a lot to live up to!

Three days, 300 quilts

  • Dark fabrics show through light colours. Press your seams towards the dark and use white batting under white fabric to get a clean look.
  • Binding matters! A poorly applied quilt edge can really make a difference in the perception of the overall quilt. There were some impressive examples of binding where the maker had matched the binding colours to the design. Unfortunately, there were also submissions where the binding was literally falling off. Facing the quilt was also an effective design choice.
  • Machine quilting motifs should work to enhance the piecing and be harmonious... or completely contrasting with purpose and intent.
  • Pet hair is never a good idea. A few entries caused fits of sneezes! A few entries were quite full of hair or threads and hadn't been properly cleaned before submission. It's hard to judge an entry when no obvious care was put into the submission.
  • Creating a dynamic and unique composition is harder than it looks. The modern aesthetic pushes the use of negative space in interesting ways.
  • Though pre-bundled fabrics have lovely colour and pattern combinations, unless it's a fabric challenge to specifically use a particular collection, try to mix up the fabric selections from beyond a single source.
  • An extremely high level of craftsmanship and technique is possible—and breathtaking to see—but perhaps was more rare than I was anticipating considering we were viewing quilts to be judged.
  • Be inspired by a variety of sources — quoting "Pinterest" as a design source is not very impressive. My favourite entries had interesting and personal descriptions of how the quilt's inspiration came into play.
  • There was a deep appreciation and respect for all the quilts that were submitted, by the judges and from the entire team at QuiltCon (who where impeccably organized and efficient).
  • Quilts in which the personality of the maker shone through were the most pleasurable to look at—and the most memorable weeks later.